Reversed Image emerges from the public actions of ANTI STORY, shifting the work from the street into the photographic image. Across demonstrations in several European cities, colour-inverted Palestinian flags are carried through public space and photographed; the resulting images are then inverted once again.

In this second reversal, the flag returns to its familiar red, green, black and white, while the surrounding world recedes into a spectral negative. Bodies, streets, architecture and police are rendered strange, leaving the flag as the only chromatically stable element within the image.

What begins as documentation becomes a visual proposition in its own right. The photograph does not simply record the action; it completes it. The flag is restored while the reality around it is displaced, producing an image in which political recognition and visual estrangement occupy the same frame