Reversed Image emerges from the public actions of ANTI STORY, shifting the work from the street into the photographic image. Across demonstrations in several European cities, colour-inverted Palestinian flags are carried through public space and photographed; the resulting images are then inverted once again.
In this second reversal, the flag returns to its familiar red, green, black and white, while the surrounding world recedes into a spectral negative. Photography does not merely document the action; it completes it. Historically, the negative is an intermediate state from which a legible photograph is produced. Here, it becomes the final condition of the surrounding world.